Zur deutschen Fassung der Theorie.



"music and internet"
M + I and RS + PS + PubS in even space and notched space

	M = music
	I = internet
	RS = real space
	PS = private space
	PubS = public space
	even space
	notched space

using the internet as open space
	in discussing music and internet
	the general evaluation of a
	valueless (value free)(not even)
	thing plays a part as important
	as discussing weather radio
	killed peotry.


forecast one:
soon everything will be a stream -- cable. everything is in it: television,
internet, radio, telephone, fax, everything.
					     but then soon it will split again
into different interfaces, and sooner or later it will be used the same way as
it ever was.
here comes how we would like to look at the internet: we develop netcasting,
netTV, search engines, etc, etc, actually a plastic porridge version of
present media world, separating again and again and again in the end dispense
ourselves from the duty of working with a new medium and using it freely.
even though mostly by way of negation we try to force our history and
tradition into a current-driven plastic device with TV screen and bad
loudspeakers. regarding the the general speed of things happening this won't
attract anyone.


		the -- by no means undoable -- process our
		culture has been encountering is the release
		of energy...................................



	the following came to attention:
	- swiss free radio guy after a kunstradio online performance:
		i have been interested quite  bit but now can't see anything crazy
		enlightening worth imitating in it these are just ordinary things...


	- dialogue Mathew Smith/Rupert Huber in a Vienna Wirtshaus:
		H: ... it isn't actually radio ... how may we call it
		   ... radio being "broadcasting" ... erhh (drinks)
		S: netcasting!
		H: well, not casting, indeed, but how may we actually call it??
		S: netcasting!!
		H: all right all right, but what then if not casting?
		S: (sighing, sipping on his drink)


in beeing accelerated every flux and every
linear process assumes a strange curvature,
catastrophe curve..........................


	compute    ience is fusing with mi    electronics and
	communica        ineering... the diffe   ciation of our
	soci  y system demands an ef   ient communictio -
	   ucture............................................


	sound production
	(recording ambient sounds or musicians)
	my be mapped to reality
	or by the way of symbols
	(letters, digits, pictures...)
	in and by time
	(unlike CDROM,
	traditional or graphic notation).


protecting freedom of information is a central aspect of 
democracy...............................................


life is only to be encountered in particularity, every idea beeing
verifiable regarding something.....................................


	building a compositioin out of particular elements which may
	be encountered and experienced just as a whole, in the
	traditional art sense as like regarding general use and the
	unidirectional experience of man looking at screen.

	building a house where the burglar is welcome and the
	arrangements are adjusted for his just as for my own needs i
	supply you, as it were, not with less but with more than a
	traditional piece of music.

	I say thief and think about a comic strip hero, funny guy, at
	night sneaking into the office where Gaston Lagaffe works all
	day. He breaks into the office, and suddenly misfortune
	happens, caused by Gastons pets, his Cactus or just because of
	the mess.